David Robert Farmerie

Tom Eizonas, Rob Stewart, Dale J, Ashley Roth, Phill Thompson, and Chuck Beard

Thank YOU, thank YOU, thank YOU. Hello Again! Welcome to another wonderful collaboration between East Side Story and The Post. Let me be the first to officially, whole-heartedly welcome you to the recap and recording of the 119th epic edition of East Side Storytellin’! Like the 118, I repeat … 118, previous shows East Side Story has put together, we all decided to take a break from our busy schedules all over town in order to sit back and relax and get everyone cultured up just right in the form of a Nashville writer reading from original prose, followed by an amazing local musician performing and talking about their original music, and then a round-up creative conversation with all featured guests of this event to talk about their individual journeys and personal ties to Nashville. Without further ado, fulfilling the entertainment portion of your day, this is recap and recording of the East Side Storytellin’ 119. Let us begin, again.

The first featured artist of the night is a writer, mother, and animal activist that currently calls Nashville home. Her work has appeared in decomP magazine, Moonsick Magazine, 100 Word Story, Sobotka Literary Orphans, and others. She is currently seeking representation for her first novel, The Great Jazz Baby. I first met her when she brought and sold her children’s book Tiny Tallulah and The Trouble With Zoos at East Side Story. She later slayed a cool crowd with some original poetry outside of East Side Story near the end of our retail run. No matter if its words for kids or adults, this artist knows what she is doing and where she is going. I have no doubt she’ll get proper representation soon, maybe sooner after later once this recap and recording gets out there. Regardless of literary politics, I was as happy as Poppy on Trolls to introduce the pinker than pink and always smiling Ashley Roth.

Credit to @davidrobetfarmerie
www.instagram.com/davidrobertfarmerie

Ashley was good friends with about 80% of the packed house, so it wasn’t uncommon to have to wait a few seconds to let the applause and chants of her name from the crowd to calm down before anyone could speak on the mic. Obviously, from the smiles above and below, Ashley was ecstatic to be featured and present for the occasion. She decided to divide her time by thirds to share a little bit of a few projects. The first was a previously published work titled Mice. Holiday-themed and timed, it was a wild story about family, some alive but some gone without being forgotten, and mice in the house that resembled those found in Cinderella. At times, it was haunting. But it was refreshing, from the details of the smells and setting, all of the time. Plus, I love the name Mabel. The second piece was something to be published soon in Sobotka called Adolescent. It was a special 90’s reflection, with two female friends conversing about their likes and dislikes that eventually ended up being a who can top the other person by describing how they would best fantasize their suicide to be more like Kurt Cobain (and definitely not Team Amy Grant). Again, the references, the details of smells and sights, were all spot on.

Credit to @davidrobetfarmerie
www.instagram.com/davidrobertfarmerie

Then Ashley closed her reading by giving us a professional tease of her book The Great Jazz Baby. I forget the byline that she gave later in the evening, for all listening publishers and agents (you can catch it in the recording below), but it was a vintage time lapse of an original Ashley Roth story. The characters were instantly intriguing and easy to draw anyone and everyone in, and the conversations were as witty and appealing as all get out. Plus, ever since The NeverEnding Story, I have loved the name Sebastian for any fictional character too. I personally can’t wait to read the entire story, if she lets me before it’s in published print.

Our featured music of the night is a dear friend of Ashley’s and a stellar musician in his own right. He is an experimental folk artist who often uses amplified acoustic instruments, strange projected visuals, and a stomp box created from an upside-down dresser drawer (that he brought for the special occasion), among other things. He tells original stories, inspired from odd observations and humor. He has been described as a fun mix of Frank Zappa, Bill Hicks, Tom Waits, and a touch of Butthole Surfers. His latest album will be called Eye Dropper, but he’s here tonight to share some new and old things to inspire our days. Alongside his very talented friends Rob (not Rod) Stewart and Phill (maybe I’ve been watching An American Tail too many times with my son lately and called Phill Phillie) Thompson, I was delighted to introduce the man, the legend, the talented Dale J.

Dale, like Ashley, jumped right into his groove on stage, becoming instant friends with anyone who wasn’t already his friend before the show started. It didn’t take me long at all to recognize that Dale has a very special condition where he only speaks the truth. I was all ears. From the shout-outs to the West Virginia wine, to the announcement of the fake band name Viking Swimming Pool (I think it’s a keeper), to introducing the band and thanking Ashley, me, Tom, and everyone else to coming out for the show before even playing the first note, I was strapped in for an unforgettable experience. Dale and the crew didn’t disappoint.

Credit to @davidrobetfarmerie
www.instagram.com/davidrobertfarmerie

They played and combo of thick and groovy melodies for each jam and intricately weaved in and out of tempos and typos and thoughts and dreams and stories upon stories in and out of song that left my mind reeling from the depths of metaphors that Dale was slinging on stage like some sling spare change on the side walk. Again, I was picking everything up and I wasn’t alone. Everyone, on stage and off, was having a good time and using their presence to the max.

Credit to @davidrobetfarmerie
www.instagram.com/davidrobertfarmerie

 

The stories about pet lizards (aka Little Man), a pet who was more family and some people consider their biological families, asking boys where the fear comes from despite knowing they’ve been here before, or being king of the basement steps, being fine down there (here), or trying to settle in when going home, I think I have enough inspirational material to write my next short story to keep me in check. Point being, these stories weren’t just contained in the music. Dale continued his wonderful tales of truth after the music faded and Ashley and I joined him on stage for a talk for the show’s closure.

Credit to @davidrobetfarmerie
www.instagram.com/davidrobertfarmerie

We again waited for the joyous chants of Ashley’s name from her fans to subside before we really got into some quality talks. Dale continued to talk more about how his mind works within creativity, making his own art, and the act of sharing it with others. Ashley was able to stress how important becoming a parent was for her to her craft and being able to share that with others too. You can listen to the conversation and everything we recorded below, so I won’t keep you here long. I will say, though, that the entire evening felt like one of those nights I know I’ve had (I’m pretty sure you have too) where you were surrounded by good friends having the best of talks long into the night and early morning. You know, the type where your friends share things from their journals or stories from their pasts or goals in the future or songs they’ve written or grabbing a random instrument laying around in the room and playing it wildly and perfectly, even if you didn’t know they could actually play that instrument they put together on the fly. Again, point being, it was one of those nights where magic happened between kindred spirits and random tidbits of truth are dropped and you wake up the next morning wondering if it all actually really happened and you try to remember every single magical detail or truth dropped to apply it to you day and then you remember it was really real and the magic is already inside you and didn’t go over your head (it hit and stuck on your heart). So yeah.

Credit to @davidrobetfarmerie
www.instagram.com/davidrobertfarmerie

Before I say goodbye for this round of fun, I’d like to give a big round of thanks for Ashley and Dale (and Rob & Phill) for sharing their stories, talents, and time with us.

Go ahead and get you a taste of the magic we all experienced with Ashley Roth and Dale J (and Rob not Rod Stewart & Phill the Phillie Fievel Mousekewitz Thompson) by listening to this edited recording of East Side Stortyellin’ 119 that we hosted at The Post East on Tuesday, November 21, 2017. It was an honor and one-of-a-kind night. Enjoy and share this link, over and over again, with family, friends, and complete strangers over this holiday weekend. Also, remember to be thankful for at least two things today, on top of being nice to one another.

You can read more of Ashley’s writing here – www.ashleynroth.com

Credit to @davidrobetfarmerie
www.instagram.com/davidrobertfarmerie

You can listen to more of Dale’s music here – facebook.com/dalej369

You can listen to this show, edited, soon, alongside the previous shows too, on our website,www.eastsidestorytn.com, at our In Our Own Words Tab – see here – www.eastsidestorytn.com/in-our-own-words

I’ll keep the gratitude going for Tom Eizonas, my lovely wife and most talented artist in Emily Harper Beard (efharper), and everyone that came out live to support the show … and to everyone who has helped continue to spread the word and support the show online afterwards.

Last, but certainly not least, I’d like to give one last shout out to Tonya and Chris for making The Post so welcoming and positively life-changing for the East Nashville community at large.

Our next show will be
East Side Storytellin’ 120
Tuesday, December 5th
at The Post (1701 Fatherland Street) at 7pm
reading- Michael McRay
singing- Emma Dilemma

That said, that’s all for East Side Storytellin’ 119 and another fabulous event at The Post with East Side Story at the helm. Thanks for coming out and sharing the good word and giving some love to all of these great Nashville artists and our creative ideas. Please remember to be nice to one another out there.

Much love,
mE

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Shane Tutmarc, Dave Eastman, Dana Malone, Chuck Beard, and Tom Eizonas

Thank YOU, thank YOU, thank YOU. Hello Again! Welcome to another wonderful collaboration between East Side Story and The Post. Let me be the first to officially, whole-heartedly welcome you to the recap and recording of the 5th anniversary and 118th epic edition of East Side Storytellin’! Like the 117, I repeat … 117, previous shows East Side Story has put together, we all decided to take a break from our busy schedules all over town in order to sit back and relax and get everyone cultured up just right in the form of a Nashville writer reading from original prose, followed by an amazing local musician performing and talking about their original music, and then a round-up creative conversation with all featured guests of this event to talk about their individual journeys and personal ties to Nashville. Without further ado, fulfilling the entertainment portion of your day, this is the recap and recording of East Side Storytellin’ 118. Let us begin, again.

Our first featured artist of the evening is as Nashville as you can be without being born here. She has been living and writing here since 1990. After a full-time career as a publications editor, PR director, and speechwriter, then teaching writing at TSU and Watkins College of Art, Design & Film, she has produced podcast series before it was the cool thing for everyone to do, and she has been one of the biggest supporters of all local writing programs and writers alongside Chance Chambers. She currently co-hosts Writings on the Wall with our fellow favorite muse in Ciona Rouse, and she was featured to share some of her original work for a change. I could talk for days about her accomplishments, but I just let her work do the talking. I’m talking about my very talented friend, Dana Malone!

photo by @davidrobertfarmerie

Dana knew what she wanted to get across and she dove right into her words. She explained that she would read from parts of a personal creative essay and then finish with an excerpt from a poem. The passage from the essay she threw us into was all about her Appalachian roots. She painted such a bright and vivid and original painting of her life with characters and scenes that literally came alive after being spoken and lit up the room like Christmas. Some of my favorite lines were when she talked about digging her hands in the Appalachian mud and having that provide the fuel for divinity school and other things left undone and also when she compared the movie Carrie and being covered with pig’s blood with that of religious cleansing … something obviously written by a man.

photo by @davidrobertfarmerie

Seriously though, it was a biographic escapade like view I’ve seen with my eyes and mind open. The pace was fast and frantic but perfect at the same time. She kept us on the edge of our seats with imagery, action, and personal depth & grace. There were lessons to be shared and learned, and who can’t relate to the thought that no good mother wants her child to burn in hell? I mean, this girl was on fire. She closed her set with a poem that relayed the fact that love is enough. Again, my words can’t really give Dana’s words justice. Take a listen to the recording below.

Our featured music of the night is a Seattle born Nashvillian who is a singer, songwriter, producer, and multi-instrumentalist who has already appeared once on the East Side Storytellin’ stage alongside his life muse Tanya Montana, but was primed to help promote his latest creation of awesome. He is someone who, like Dana, is always smiling and helping others become better artists, friends, and humans in general, by being supportive and himself. His most recent creative project was brought forth from a painful place, like most great art, it seems. After grieving the loss of his best friend, this guy found solace in creating these new songs. Most people know him as Shane Tutmarc, but this night we referred to him as Solar Twin.

photo by @davidrobertfarmerie

To preface this music and this set, the original Solar Twin project is filled with multiple layers of sounds, melodies, instruments, loops, and vocals. For this given set, it was just Shane and his guitar. He told the crowd that he had put off my invitation to be on this show and this format for months because he didn’t know if he could pull it off just right in his heart and mind. I’m telling you right now, he did. He started with a song about being tired of waking up, and on the 5th anniversary that not only marked a time before the chaos now when we started our first show 5 years ago on a very different US Election night … it matched the mutual feeling a lot of people are having right now with politics and world news in general. It’s been a tidal wave of a year so far. I was thankful to have Shane and Dana begin the transition of 2017 into the next year.

photo by @davidrobertfarmerie

Shane spoke in detail about the way he wrote each song in this project versus prior records. He made things simple and relatable. As I sat and heard the way he gently sank his vocals into small scream-like melodies to emphasize the words and the melodies, he reminded me of two legends who I musically appreciate more than most. Take a listen to the sounds of Shane’s voice, and you too may be able to hear the song-child of a young Kurt Cobain and young John Lennon. It takes a skill that few have to change their voice in that tone to reach that emotion and frailty but at the same time coming through as a life force to be reckoned with and noticed. Shane has that magic about him and his music. He is thoughtful, articulate, passionate, and skillful enough to make his wondrous ideas into beautiful and fragile realities. One big example, as he discussed for the final song, was writing and performing a song for a documentary about the heroine epidemic in his hometown of Seattle. It will make you cry sad tears for the subject matter and happy tears for the beauty of the song at the same time. Again, Shane has that magic.

photo by Chance Chambers

I forgot to mention that my main man, the original voice of WAMB, Sir Dave Eastman, was on hand in the crowd to open this special occasion and to witness another round of awesome that we’ve put together. I can’t say enough great things about the 5 years and over 250 local artists who have shared the stage with Tom and me … sharing their creative gifts, stories, and doing it all with fearlessness and honesty seldom matched in any other show I’ve ever been to in person. This special night and round was no different. Shane and Dana took the time to follow up their reading/singing with a few candid moments of answering some personal questions I dished their way. There was a common theme of salvation between the art that both of them shared, and that same message of salvation was evident when they spoke to me beyond the page and guitar.  I don’t want to spoil the answers and art for you, so go ahead and listen to the show in the link below so you know what I’m talking about. Again, as always, I felt humbled and blessed.

I hope to see y’all at the next 5 years of shows coming up. We are just getting started with this idea.

Before I say goodbye for this round of fun, I’d like to give a big round of thanks for Dana & Shane for sharing their stories, talents, and time with us.

Here it is, the edited recording of East Side Storytellin’ 118, the night we featured Dana Malone & Solar Twin at The Post East on Tuesday, November 7, 2017. Please feel free to listen to and share it with everyone you know, over and over again.

You can listen to more of Solar Twin’s music here – solartwinmusic.com

You can listen to this show, edited, soon, alongside the previous shows too, on our website, www.eastsidestorytn.com, at our In Our Own WordsTab – see here – www.eastsidestorytn.com/in-our-own-words



And speaking of other shows, here is a special compilation compiled by Tom Eizonas that features at least one song from each show we produced in the 5th year of this show’s being (shows 97-117, to be exact). As before, feel free to explore each of these tracks and shows from hence they came, over and over again. Many thanks to each and every artist who has donated their time and talents to this idea so far. Like I said before, we are just getting started. 

photo by Chance Chambers

I’ll keep the gratitude going for Tom Eizonas, my lovely wife and most talented artist in Emily Harper Beard (efharper), and everyone that came out live to support the show … and to everyone who has helped continue to spread the word and support the show online afterwards.

I’d like to give one huge shout out to Tonya and Chris for making The Post so welcoming and positively life-changing for the East Nashville community at large.

But how can I forget the include a picture of my trusty roadie crew of Steve Simpson and Chance Chambers. They have made more shows than anyone not named Chuck or Tom, and they are not only always engaged and supporting us by recruiting countless friends on and off-line to attend these shows too, they also help me break down the set so I can get more quality time at home with my family than if I had to do so by myself. They are as kind and true of friends as a person could ever have, and I get to call them my own. They are like brothers, and they are amazing. I just wanted to give a special thanks to them as well. The show is what it is because of you two too. Here’s to many many more, together.

Chance, Steve, and Chuck = the crew.

Our next show will be

East Side Storytellin’ 119
Tuesday, November 21st
at The Post (1701 Fatherland Street) at 7pm
reading- Ashley Roth
singing- Dale J. Gordon

That said, that’s all for East Side Storytellin’ 118 and another fabulous event at The Post with East Side Story at the helm. Thanks for coming out and sharing the good word and giving some love to all of these great Nashville artists and our creative ideas. Please remember to be nice to one another out there.

Much love,

mE

one more shot of Solar Twin and me for the road, because we finally made it happen.

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Tom Eizonas, Lance Umenhofer, Dylan Lancaster, and Chuck Beard

Thank YOU, thank YOU, thank YOU. Hello Again! Welcome to another wonderful collaboration between East Side Story and The Post. Let me be the first to officially, whole-heartedly welcome you to the recap and recording of the 110th epic edition of East Side Storytellin’! Like the 109, I repeat … 109, previous shows East Side Story has put together, we all decided to take a break from our busy schedules all over town in order to sit back and relax and get everyone cultured up just right in the form of a Nashville writer reading from original prose, followed by an amazing local musician performing and talking about their original music, and then a round-up creative conversation with all featured guests of this event to talk about their individual journeys and personal ties to Nashville. Without further ado, fulfilling the entertainment portion of your day, this is the recap and recording of East Side Storytellin’ 110. Let us begin, again.

Our first featured artist of the evening is such a regenerate. In fact, he’s such a regenerate, he started his own club called The Regenerates. He not only started that, but he also started a publishing company called April Gloaming Publishing. To be such a liberator, it is shocking to find out that he is so enslaved to the written word. During the day he sits at his computer and reads submissions and plots the next moves for April Gloaming Publishing. But, during the night, he is like a pseudo-Batman, patrolling the streets of Nashville talking and friending writers and artists alike, but not in a creepy way. Aside from other day jobs and awesome things ahead, this guy spends most of his days helping himself and others to have fun and take names. Author of And the Soft Wind Blows, the entire room joined me in giving a huge round of applause for the one and only Lance Umenhofer.

Lance calmly strutted to the podium and embarked on a creative reading and journey through a new story based in letters written by a fictional character abbreviated to HRC and his journal while fighting the war in Vietnam. It was gritty, intense, passionate, ugly, bloody, violent, maddening, vivid, colorful, and everything you’d ever expected to experience when hearing something set in the war backdrop of Vietnam. Lance did it all with a stern, straight face, an immense respect for the battle and all those who fought in it, and the whole thing just came across as something majestic, powerful, transcendent, and very relevant to the day and time he read it (the day after July 4th).

Lance did not preface the reading much before everyone filling in the seats about it being a tale about Vietnam. One of my friends who happened to have served during that time and was present for the entire reading later told me that he would have waited a bit before coming in the show if he had known beforehand. That wasn’t a diss to the reading, but actually quite the compliment when the friend stayed and paid attention to the entire set. Also, the day before the reading, I had dinner with a family friend who I never knew served our country during that same time until he flooded me with personal accounts of his experience with Vietnam over the course of a home-cooked meal. I listened with open ears, heart, and mind as this friend shared stories that his wife said he never mentioned before even to her. I distinctly remember asking myself why I was the person sitting there to be lucky enough for someone to share such personal things that obviously needed to be let go in the public. Fast forward to one day later and I was ready and fully prepared to totally take in Lance’s prose about gluttony and appreciate it in all its wonder. Now that I have prefaced you to the reading and recording, I beg that you give Lance’s words and fascinating story similar time and respect. It is well worth your experience.

Now, our featured music of the night is someone who, simply put, writes songs. His songs remind you that rock is, at its most pure and basic, just a person and a guitar, a story and some questions. I first met him while I was cutting East Side Storytellin’s teeth at the place formerly known as Mad Donna’s, RIP. Cutting his teeth in Kalamazoo, he played in country-rock bands alongside local punk outfits, listening to Springsteen records on repeat and living across from a graveyard. I too lived across from a graveyard at one point, but that was neither here nor there. This guy pens and sings songs that sound like elegies of his past self. His recent debut is a patchwork of 1960’s American poetry mixed with sharp guitar licks and faded record store finds. I once knew him as a thoughtful server and, much is the case for most servers in Nashville, I was honored to know him as an artist and introduce him to others on our show. I’m talking about the very talented Dylan Lancaster.

Dylan, like Lance, slowly approached the microphone and jumped right into his set like you do. He admitted that he was a little bit jittery because he had changed his normal gig routine from drinking a few beers to appropriately drinking a wee bit much of coffee at the establishment at hand. It may have given him jitters on the inside and out, but we couldn’t tell any difference in play because it was spectacular. Dylan is someone with a similar literature and music background that you find in most of the prolific Nashville musicians you already know and love. His sense of storytelling and craft in the lyrics is just as important as choosing the melodies that move your feet. Whether it was a song about Beaver Island (the King of Beaver Island actually), a time when his car broke down in Southern Indiana, or a solid advert telling others it’s not very cool to drink and drive, each song is a short story that takes you on just as many ups as downs in between.

Dylan likes to label his music and himself as a sad bastard type. I didn’t hear as much as I heard a new genre called country punk. You see, Dylan came from a Michigan scene where punk was just as prevalent as country is to Nashville. In my opinion, Dylan is the perfect pairing of both combined. I personally can’t wait to see Dylan play again and with a band of friends around him to elevate his lyrics and melodies even more than by himself. He may sing about some times that he can’t win, but I beg to write you now and say that we’re all winning because Dylan is writing and and playing his art his own way. And no, I’m not making a cut from Dylan’s record sales, if you’re wondering. I honestly believe he is on to something really special with what he has going on.

That said, I think that this pairing of Lance and Dylan is, as Lance would say it this night and I say it almost every show, serendipitous. These two guys know pretty much every good artist in the city on a friend level, and they both do pretty much everything and anything they can dream and think up in every creative scene imaginable. They are both just at the beginning stages of their works, with the effort, audience, and promise that the good stuff they are making now will only get better the more they share it (and that says a lot considering how good they are now). They are both humble and givers to the creative community-at-large, and I am honored to call them both friends. You can hear how honest and articulate and sharing they are if you take a few minutes to listen to the conversation we had together in the recording. Again, it is well worth your experience. I’ll stop beating around the bush with praises and words. Just listen to the damn recording.

So, here it is … the edited recording of East Side Storytellin’ 110. It was an extraordinary snapshot of Nashville and America today (July 5, 2017) recorded at The Post East for a packed house of awesome people. Feel free to listen to this link and share this post over and over again with everyone you know. Thank you in advance.

Before I say goodbye for this round of fun, I’d like to give a big round of thanks for Lance and Dylan for sharing their stories, talents, and time with us.

You can read more of Lance’s writing here –  www.aprilgloaming.com

You can listen to more of Dylan’s music here – www.dylanjameslancaster.com

You can listen to this show, edited, soon, alongside the previous shows too, on our website,www.eastsidestorytn.com, at our In Our Own WordsTab – see here – www.eastsidestorytn.com/in-our-own-words

I’ll keep the gratitude going for Tom Eizonas, my lovely wife and most talented artist in Emily Harper Beard (efharper), and everyone that came out live to support the show … and to everyone who has helped continue to spread the word and support the show online afterwards.

I’d love to give another big shout out for the very talented photographer and friend David Robert Farmerie. A man who just gets it, and he captures the most beautiful pictures of artists that I’ve ever seen = fact.

Last, but certainly not least, I’d like to give one last shout out to Tonya and Chris and the rest of the staff at The Post for making The Post so welcoming and positively life-changing for the East Nashville community at large.

Our next show will be

East Side Storytellin’ 111

Tuesday, July 18th

at The Post (1701 Fatherland Street) at 7pm

reading- Nick Rossi

singing- Zach Ryan

That said, that’s all for East Side Storytellin’ 110 and another fabulous event at The Post with East Side Story at the helm. Thanks for coming out and sharing the good word and giving some love to all of these great Nashville artists and our creative ideas. Please remember to be nice to one another out there.

Much love,

mE

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